But, Radha and Madhava stray to the tree on the banks of river Yamuna, and their secret love sport prevails.Įtam karoti jayadeva-kavih prabandham ||2|| The sky is thick with clouds the forest area is dark with the tamAla trees the night frightens him (Krishna) Oh RAdha! you take him home This is the command from Nanda. Rädhä-mädhavayor jayanti yamunä-küle rahaù-kelaya: ||1|| Ittham nanda-nideshataha calitayoù praty-adhva-kuïja-drumaà Naktam bhéru rayaàm tvam eva tad imam, rädhe gåham präpaya | Meghair meduram ambaram vana-bhuvah shyämäs tamäla-drumair: Tham vande Jayadeva sadguru maham, Padmavati vallabham…||3|| Loke sathka viraja raja etiya:, kyathodiyam bhonidhi.

Sri Radha… pathi, pada Padma bajana nandabdhi, magnonisham Sri Gopala vilasini valyatha dattathi mukta kriti – Padma…vati priyathamam Pranathosmi nityam ||2|| Tanaha… Shyamalam avirastu nidhaye, Krishna bhidhanam mahaha||1|| Yen nirmana vidhana sadana vidhau, sidandhanam yoginam Yen Lakshmikuja shata kumba kalashe *, vyakosham Indiwaram… Yad Gopi vadanendu Mandana Mabhuth * Kasturika Patrakam…. The theme of it is the love of Radha and Krishna, symbolizing the longing and striving of the individual, for communion with God, culminating in their blissful union. Love naturally takes expression in song, so Sri Gita-govinda has naturally assumed the format of a musical. As a lover is dear to her beloved, this charming composition is extremely dear to the pure devotees. Every verse is immensely endearing, Radha-Krishna’s attribute of beauty enhanced by love. What kind of poem is this? In response the poet says, “This poem is predominated by shrugara-rasa and it is exceptionally sweet. The poet has renounced all sense of responsibility for the authorship of this narration because his speech and mind are absorbed in Sri Krishna. The marvelous mansion of his heart is decorated with paintings of Sri Radha-Madhava’s intimate encounters, and its fabulous treasury is his fascinating poetry. Similarly, this picture of loving pastimes has been painted by the brush of Sri Jayadeva. After transferring that vision to his canvas, it becomes a painting. S.S.Jagannadharao on C.The divine pastimes (leelas) of Sri Radha-Krishna reside together like a collection of paintings in the mansion of Sri Jayadeva’s heart. Rangarajan Ramaswamy on C.Rajagopalachari’s comm… Error Blazor – .Rendering.WebAssemblyRenderer Unhandled exception rendering component: Cannot provide a value for property on type.Loop through record and check previous record.Shankara has packed into the Bhaja GovindaM song: the substance of all vedanta,Īnd set the oneness of Jnana and Bhakti to melodious music.” Water from the palm of one’s hand, sang in his later years, hymns to developĭevotion, it is enough to show that Jnana and Bhakti are one and the same. Sri Adi Shankara himself who drank the ocean of Jnana as easily as one sip’s To believe that Jnana andīhakti, knowledge and devotion are different from each other, is ignorance. Into Bhakti, such knowledge is useless tinsel. Knowledge, when it becomes fully mature is Bhakti. Wisdom is integrated with life and issues out in action, it becomes Bhakti.

Intelligence matures and lodges securely in the mind, it becomes wisdom. The way of devotion, is not different from the way of knowledge or Jnana.

One of these hymns is the famous Bhaja Govindam. He also composed a number of hymns to fosterīhakti in the hearts of men.

“Adi Shankaracharya wrote a number of Vedantic works for imparting knowledge of

Bhaja govindam meaning pdf